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Harry Fonseca painting by the American River
in summer 1997.
Photograph by Carey Caldwell
During the summer, Fonseca spent several
days painting on the American River, downstream from the site where John Marshall
discovered gold in 1848. In these paintings, the greens and browns of the land are
replaced with the blues and greens of the river. The dominance of gold, suggested by paint
and mica, intensifies. The energy becomes more and more aggressive. Spirits and shadows
are engulfed and exploded, reminding one of images of Hiroshima.
Harry Fonseca, The Discovery of Gold in California,
7.7.97, #35
Photograph by Catherine Buchanan |
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